While she spoke to the Citizen this week, the Ottawa-raised concert pianist changed into Winnipeg, about to start a stint of North American performing.
Splendor of Bach
My Talking Angela
There, she had three concert events looming this weekend, accompanied by two awful lot-predicted solo concert events at Dominion-Chalmers United Church on March sixteen and 18. The latter falls underneath Hewitt’s immensely ambitious, 4-year Bach Odyssey challenge, for you to see her play all of the Baroque master’s keyboard works in more than one town from London to New York to Ottawa and beyond.
“Human beings assume you get to my degree; you no longer need guidance. That’s a fallacy. You have to do just as plenty as ever,” Hewitt said.
“I’m going to stroll out inside the -25 levels over to the corridor,” Hewitt stated. “I think I’m going to guidance six hours today.”
Before Hewitt began her regimen, she made time to speak about, within the edited communication beneath, her mind on Bach’s track and its position in her lifestyles, plus the rigors and pleasures of her profession, beyond and gift.
Q: You advised an interviewer as soon as possible that you may keep playing Bach and “by no means get uninterested in it in a manner which you might in some different portions.” Inform me more about the enchantment of Bach’s music for you.
A: I think the motive, first of all, is why you don’t get tired of it, which is that it’s just so tremendously lovely and superbly constructed and full of joy. It’s normally based on dance rhythms, and dance is an expression of pleasure; it’s a song that makes your experience better, seems to put everything right, and has a hit finishing touch. We search for all these things in Bach’s music.
It also seems to be a song that brings great comfort to humans in many ways. Underneath times of stress, they seem to show Bach as a first composer, so there’s all of that during his song.
Plus, in a way, it’s abstract. It’s not music telling any form of the tale; it is the summary tune. However, its top-notch splendor comes out with no trouble. Because it’s not touching on a story, it’s no longer a tale you get uninterested in, in case you know what I suggest.
Q: When I hear Bach, I tend to consider profound mathematics. Or maybe genius.
A: it’s miles flawlessly built, within the architecture, and sure, the arithmetic in it, in case you want to call it that.
however, it’s no longer only that. For instance, within the first program, I’m gambling all of the two- and three-part inventions, which were little pieces Bach wrote for his kids, who were his college students… however except being physical activities to be able to play in two voices and then in 3 votes, with simply palms, so manifestly the middle voice is split up among the two palms, they’re also lovely works of art, even supposing it’s a piece that only lasts a minute and a half of or mins. Each piece is a little inspirational moment. He by no means wrote anything that wasn’t of the highest first-class. So sure, there may be all the precision and the stunning construction in it. However, there’s a whole lot, a lot extra as properly.
Q: I understand you’ve got a cassette tape of yourself playing Bach at 4. Changed into Bach already a regular in your lifestyles while you were an infant?
A: My father turned into the organist and choirmaster at Christ Church Cathedral in Ottawa for 50 years, and so I grew up, from the time I was born, taking note of him playing Bach on the organ and playing magnificently. And plenty of people in Ottawa who remember that are still around. So, that was my daily bread. My first instructors were my parents. They started me off mastering his tune, teaching it well, and not using horrific habits, so I was very lucky. So Bach changed into usually like a friend. He became one of the first composers I used to be tuned to, I assume and taught and stimulated through. I performed him on the violin, sang Bach in church, and danced to Bach. So it wasn’t just gambling on him at the piano.
Q: Inform me about your creative boom as an interpreter of Bach.
Yes, someone changes, so the whole lot you revel in as someone and the person tou turn out to be is going into your playing. Even in case you’re now not questioning first of all, as you shouldn’t do, simply setting your character on the composer. No, that’s no longer the way it works. It would help if you considered what the composer is attempting to express, after which your persona comes evidently on the pinnacle of that. However, yes, of the route, with everyday lifestyles, one hopefully deepens emotionally.
As an example with the Goldberg Variations, I recorded it again in 1999 after already gambling it for 25 years, after which I recorded it in 2015… if you listen closely to those versions, there are variations – differences in coloration, emotional variety, and in how I venture the rhythm. There are numerous diffused differences, perhaps no longer huge variations, but very many diffused ones, and they all add up to make a distinctive revel.
But yeah, everything you enjoy in lifestyles while you’re an artist goes into what you produce, so of the route, it’s going to be one-of-a-kind from while you’re 16, too. However, I am old now, let’s say forty years later.
Q: How large are the variations among numerous interpretations of Bach, from one pianist to another?
A: It’s larger, and perhaps more with Bach than with any other composer, due to the fact what many contributors of the listening public don’t apprehend is that Bach didn’t write something inside the rating aside from the notes, truly. The clues are there, but in his time, the rating was no longer complete of markings telling you how loud or how softly to play, how rapid, how sluggish, how staccato, that’s detached, or easy, legato. There has been nothing like that in the score — very, little, or no. That’s because days, in Bach’s time, the scholar was also taught composition in a you-were-trained fashion. You were taught what to do with a bit of song in front of you.
There has been additionally plenty greater liberty left to the performer. You can upload ornamentation; You may exchange note values. The rating was the basis on which to work. After this, the song developed, and as the devices advanced, the piano got here because Bach, of course, didn’t write for the piano. With the piano’s different dynamic abilities and ability to play loudly and softly, composers, particularly Beethoven, commenced writing meticulously in the score.
however, in Bach’s music, no. That’s why it’s genuinely unique. Could you have a look at it? And you have to determine what you want to do inside the style. We can study how Humans performed and considered track in those days… However, there are loads of books left to us about how the song became achieved… We need to do a variety of examining sincerely so one can recognize all of that.
That perplexes many Humans after they see a piece of Bach; nothing is written within the score telling you what to do. It sounds extraordinary to everyone you have to add your issue.
I’ve achieved a masterclass on the primary Invention, wherein it’s a chunk of two pages in a minute and a half. Still, I’ve talked about this piece without a doubt extensively and given my very own markings on the score for Human beings as a guide, the fingering to apply, of course, because Bach in no way wrote any fingering, and dynamics, and ornamentation, and phraseology — all the things that you need to consider. That’s just a fundamental piece. However, it’s very important to analyze a chunk nicely.
You may say that one is incorrect and one is proper. You can say that sounds more stylistic to me than that; however, each person will ultimately locate their manner of gambling the track.